NOTE - all of my works are drafts. they are not completed or edited.

I. Never Let Me Go


Call me Skye. I have spent most of my life walking beside death, though I did not know its shape at first. I was six when the sickness came for her, creeping and silent, a shadow that stretched across our small, fragile world. I was seven when it came for another, sudden, unannounced, and absolute—my grandmother, asleep one night and never waking. I pressed my small hands to her stillness and tried to will her to breathe, tried to bargain with the emptiness that had taken her, and the world continued, indifferent. I did not understand it. I do not understand it. I do not understand death.

 

I have not learned its rules. I have not learned its language. I have only felt its weight pressing against me, pressing through me, pressing into the small chambers of my heart until I am hollow and full at the same time. It circles, it waits, it watches. Sometimes I imagine it as a dark sea, stretching farther than I can see, swallowing all the warmth and leaving only currents that pull me down, that leave me breathless, that whisper and whisper and whisper until I cannot hear anything else.

 

I do not understand why it comes. I do not understand why it takes some and spares others, why it drifts gently for some and strikes suddenly for others, why it can be patient and merciless at once. I do not understand how life can continue, how the sun can rise and children can laugh and birds can sing while inside my chest, the tide of fear rises higher with every heartbeat, and my small hands shake with the knowledge of its inevitability.

 

Sometimes, when the air is quiet and the night presses against the windows like a hand, I press my face into her shoulder and imagine that if I memorize enough—if I memorize her warmth, her pulse, the faint tremor in her hands—I can hold the tide at bay. I whisper, “Never let me go,” into the dark, and the words float in the space between us, fragile as a candle flame in the wind. And she smiles, fragile as light over water, and says, “I’m right here, Skye.” And for a moment, I believe it will always be enough, that love will anchor us against the rising tide. But I feel the distance growing, small at first, then widening, swelling, until the space between us feels like the sea itself, deep and unending.

 

I am fifteen, yet I have spent nearly a decade living beside death. I have counted years not in birthdays but in breaths, in tremors, in coughs, in the slow, patient advance of something I cannot name or fight. I do not understand it. I have tried to map it, to reason with it, to plead with it, but it does not respond. It does not care. It circles. It waits. It moves silently, unseen, and it will not be hurried.

 

Sometimes I imagine it as a whale beneath the waves, black and immense, circling beneath the surface, patient, gliding, waiting. I imagine that I am a child in a boat, holding on to the edges with small, desperate hands, and the world tilts, and the waves rise, and I cannot reach the shore, and I cannot reach her. I have tried to fight it with love, with prayer, with memorizing every heartbeat, every curve of her smile, every sound of her breathing, every warmth of her hand pressed against mine. But the whale does not tire. The whale does not forgive. It does not negotiate. It waits. Always, it waits.

 

I have known the suddenness of loss. I have known its quiet patience. I have known the hollow silence that follows. When I was seven, my grandmother died in her sleep, and I pressed my small hands to her chest, willing it to beat, willing it to answer me, willing her to speak to me again. And she did not. And I did not understand why. I pressed my small body against her, whispered into her ears, begged for her warmth, her life, her pulse, and the world continued as if nothing had happened. And I learned, slowly, that grief could arrive without warning, that the absence of life could be total, that death was patient, merciless, and silent.

 

I have lived with it ever since. I have lived with it in tremors, in coughs, in silent rooms, in quiet nights, in whispered prayers. I have pressed my face to warmth and memorized it, whispered into the dark: Never let me go. I have done this so many times that I feel it in my bones, that it has shaped the rhythm of my life. The shadow has been my constant companion, and I do not yet understand why it exists, why it moves as it does, why it is allowed to persist while the world continues, full of light and sound, oblivious to its patient circling.

 

I am fifteen. And I do not understand death. I do not understand why it comes. I do not understand why it comes slowly for some, swiftly for others, why it can be patient, why it can be silent, why it can be so absolute. I do not understand how it moves like the tide, how it drifts through lives, how it changes everything and yet nothing at all, how it circles and circles and waits, and waits, and waits.

 

Sometimes I close my eyes and imagine the world as endless waves, and I am a child clinging to the deck of a ship I cannot steer, and the leviathan circles below, black and immense, patient and silent, and I press my hands to her shoulders and memorize the warmth, and whisper, Never let me go.

 

Sometimes I feel the hollowness in my chest, a space carved by absence, by loss, by the inevitability I cannot name. I feel it in the quiet moments, in the mundane moments, in the way the wind moves through the trees, in the way the air tastes, in the way the world seems to continue as if nothing has happened, as if death is not always waiting, as if absence is not always circling just beneath the surface.

 

And yet I press on. I continue. I memorize, I whisper, I cling. Because I do not yet understand. I do not understand death. I do not understand why it comes or why it waits. I do not understand why it is allowed to take and leave, to circle, to linger, to vanish. I do not understand how life continues in its bright, careless rhythm while I carry the weight of its inevitability like a small, desperate sailboat at the mercy of a dark sea.

 

I am Skye. I do not understand death. I have felt it. I have lived with it. I have whispered into it. I have memorized, clung, loved. And for now, for as long as I am allowed, I hold on.

II. The Architecture of Wings


There is a butterfly living in my bones.

I do not remember when it first arrived. Perhaps it was always there, folded small and quiet between the ribs, its wings pressed like a secret against the marrow. Or perhaps it came later, on a day when the world split open without warning and something I loved slipped through the crack. Either way, it learned the architecture of me. It memorised the hollow tunnels of my arms, the cathedral curve of my spine, the soft-lit chambers behind my lungs. It made a home of me.

 

Most days, it is peaceful.

 

It rests in the stillness, wings tucked, a living silence. Its presence is not heavy, not painful, just a soft awareness, like knowing your own heartbeat without listening for it. I can move through hours like this, gently, carefully, as if I am carrying something fragile but trusting it will not break. The butterfly sleeps. The world hums. I breathe.

 

But then;

 

There are moments when a thought brushes against me the wrong way, like a cold wind slipping under a door. It is never loud at first. It begins as a whisper: they won’t always be here. A sentence so small it could almost pass unnoticed, except the butterfly hears it before I do.

 

And it stirs.

 

At first, only a tremble. A faint, papery rustle against bone. Like pages turning in a book I never meant to open. I try to ignore it. I distract myself with light, with noise, with the ordinary choreography of living — but the whisper grows teeth.

 

They won’t always be here.

 

The butterfly unfolds.

 

Its wings stretch wide inside me, brushing against everything at once, my ribs, my throat, the fragile glass of my thoughts. It is no longer quiet. It beats, frantic now, as if trying to escape a cage it has just remembered it is trapped inside. Each movement echoes through me, a soft violence. Not sharp, not cutting, just overwhelming, like waves hitting a shore that was never meant to hold an ocean.

 

I feel it in my chest first. A pressure, a flutter too large for the space it occupies. Then it climbs, its wings scraping against the inside of my throat until breathing feels like swallowing feathers. My hands forget how to be steady. My thoughts scatter like startled birds.

 

Because I see it then.

 

Not the butterfly, but the absence it is afraid of.

 

I see empty chairs that were once filled with laughter. I see voices fading into distances I cannot follow. I see hands I have held becoming memories I can no longer touch. The people I love — so vivid, so warm, so here, suddenly feel like something already slipping away, like water running through fingers that cannot close tightly enough.

 

And the butterfly panics.

 

It throws itself against my ribs, over and over, as if it could break me open and escape the future entirely. Its wings are frantic prayers. Its body is a question with no answer: how do you keep what cannot be kept?

 

I try to soothe it.

 

I press my palm to my chest as if I could cradle it from the outside. I whisper quiet things to myself, soft lies or maybe soft truths: they are here now, they are here now, they are here now. But the butterfly does not understand time the way I pretend to. It does not care for “now.” It feels the shape of loss before it happens. It senses endings like distant storms long before the sky darkens.

 

It knows.

 

It knows that everything I love is temporary, and it cannot bear it.

 

And neither can I.

 

Because loving someone, I have learned, is like building a home out of breath. It feels solid while you are inside it, warm, real, alive, but the moment you try to hold it still, it dissolves. Love is not something you can lock away. It is something that exists only in motion, only in presence, only in the fragile miracle of while.

 

And the butterfly hates while.

 

It wants forever.

 

It wants to pin every moment down like a specimen, to preserve every laugh, every glance, every ordinary second that does not feel important until you imagine it gone. It wants to stop time with its trembling wings. It wants to rewrite the rules of existence so that nothing beautiful ever has to end.

 

But it cannot.

 

So it thrashes.

 

And I feel it everywhere.

 

It becomes the ache behind my eyes when I look at someone I love for too long, as if memorising them might save them. It becomes the tightness in my chest when I hear their voice and think, one day I won’t. It becomes the quiet dread that slips into happy moments, uninvited, whispering: this will not last.

 

The butterfly is not cruel.

 

It is afraid.

 

It is made of every goodbye I have ever known, every loss that carved its shape into me. It remembers what it felt like when someone I loved became someone I could no longer reach. It remembers the silence that followed, the way the world continued as if nothing had changed while everything had.

 

It remembers — and it refuses to forget.

 

So it stays inside me, a keeper of grief and a guardian of love, beating its wings whenever the thought of losing someone comes too close.

 

But there are moments — small, rare, and quiet, when something changes.

 

Sometimes, when the panic rises and the butterfly begins its frantic dance, I do not fight it. I do not try to silence it or soothe it into stillness. Instead, I listen.

 

I feel the rhythm of its wings, not as chaos, but as meaning.

 

Because beneath the fear, there is something else.

 

The butterfly does not only panic because things end. It panics because things matter. Because people matter. Because love has weight, has consequence, has depth enough to leave echoes long after it is gone.

 

Its fear is proof of attachment.

 

Its trembling is proof of care.

 

And slowly, so slowly it almost feels like imagining, I realise that the butterfly is not trying to destroy me. It is trying to remind me.

 

That the reason loss is unbearable is because love is immeasurable.

 

That the reason I am afraid to lose them is because having them is the most extraordinary thing I have ever known.

 

That the reason the butterfly lives in my bones at all is because I have filled my life with things worth grieving.

 

And when I see it that way, its wings begin to soften.

 

Not completely. Not forever. But enough.

 

The frantic beating slows to something gentler, something almost like breathing. The sharp edges of fear blur into something quieter, something closer to awe. The same presence that once felt like chaos becomes something delicate again — a living reminder, not of what I will lose, but of what I have.

 

The butterfly folds its wings.

 

It rests.

 

And in that stillness, I understand something I have been too afraid to admit:

 

I cannot protect the people I love from time.

 

I cannot keep them here forever, no matter how tightly I hold on, no matter how desperately the butterfly beats its wings. There is no version of this life where everything I cherish remains untouched, unchanged, eternal.

 

But, I can love them while they are here.

 

Fully. Deeply. Without flinching from the knowledge that it will one day hurt.

 

I can sit in the fragile, fleeting miracle of their presence and let it be enough, not because it lasts forever, but because it exists at all.

 

And maybe that is what the butterfly is learning too.

 

Maybe it will always stir when the thought of loss drifts too close. Maybe it will always tremble at the edges of joy, a quiet echo of everything I have already lost and everything I cannot keep.

 

But maybe it does not need to escape.

 

Maybe it can stay.

 

A soft, living thing inside my bones. A keeper of love. A witness to everything that matters. A creature that reminds me, again and again, that the reason I am afraid is the same reason I am alive.

 

And when it rests — when the world is quiet and the people I love are still here, still breathing, still within reach, I can almost feel its wings settle into something like peace.

 

Not because nothing will ever be lost.

 

But because, for this moment,

 

nothing has been.

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